In the production of his bizarre memories of the future, Veljko Onjin establishes a different contact with reality, creatively "abusing" the digital environment that crucially influences our understanding of the world in which it largely surpasses the impact of traditional arts.

This intrusion of tri-dimensional digital growths, resembling organs and body secretions is at the same time a reflection of the internal horror in the virtual space presented as the real space. With this collection of computer graphics, drawings and photographs, the artist shouts a demand for the return of erased humanity

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